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Comedy series Barry, starring Bill Hader, begins production this spring on HBO

COMEDY SERIES BARRY, STARRING BILL HADER,
TO BEGIN PRODUCTION THIS SPRING FOR 2018 DEBUT ON HBO

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Hader And Alec Berg Created And Executive Produce Show
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            LOS ANGELES, Jan. 14, 2017 – The comedy series BARRY, starring Bill Hader, will begin production on its eight-episode season in Los Angeles this spring, it was announced today by Casey Bloys, president, HBO Programming. Hader (“Saturday Night Live”) and Alec Berg (HBO’s “Silicon Valley”) serve as co-creators, executive producers and writers on the show, which is slated for 2018 debut on the network.
            “From ‘Saturday Night Live’ and ‘Documentary Now!’ to a host of standout feature films, Bill Hader has consistently displayed amazing comedy smarts and impressive range as an actor, producer, writer and, now, director,” noted Bloys. “We are delighted to welcome him to the network for this exciting series.”
            Hader stars in the title role as a hitman who, after following his intended target to an acting class, finds himself intrigued and decides to become an actor and change his life.  As well as starring in the series, Hader will direct episodes of the show, marking his directorial debut. Other cast regulars include Stephen Root (HBO’s “All the Way”), Sarah Goldberg (“Hindsight”), Glenn Fleshler (HBO’s “True Detective”), Anthony Carrigan (“Gotham”) and Henry Winkler (“Arrested Development”).
            BARRY is executive produced by Hader and Alec Berg; produced by Aida Rogers.

HBO Films: All the Way debuts in May

HBO FILMS’ ALL THE WAY, WITH TONY WINNER
BRYAN CRANSTON REPRISING HIS ROLE AS
PRESIDENT LYNDON B. JOHNSON, DEBUTS THIS MAY ON HBO;
JAY ROACH DIRECTS;
ROBERT SCHENKKAN ADAPTS HIS TONY-WINNING PLAY;
STEVEN SPIELBERG, ROBERT SCHENKKAN, BRYAN CRANSTON,
JAY ROACH, DARRYL FRANK AND JUSTIN FALVEY EXECUTIVE PRODUCE

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Anthony Mackie, Melissa Leo, Bradley Whitford And Frank Langella Co-Star;
Ensemble Cast Includes Joe Morton, Stephen Root, Marque Richardson,
Aisha Hinds, Todd Weeks, Mo McRae And Spencer Garrett
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“Until justice is blind to color, until education is unaware of race,
until opportunity is unconcerned with the color of men's skins,
emancipation will be a proclamation, but not a fact.”
-- Lyndon B. Johnson
           
            Following its critically acclaimed, award-winning Broadway run, ALL THE WAY, a riveting behind-the-scenes look at President Lyndon B. Johnson’s tumultuous first year in office in the wake of President Kennedy’s assassination, comes to HBO this May. Bryan Cranston (four-time Emmy® winner for “Breaking Bad”) reprises his Tony Award-winning role for the HBO Films presentation, which is directed by Jay Roach (“Trumbo”; Emmy® winner for HBO’s “Game Change” and “Recount”) from a screenplay by Robert Schenkkan (Pulitzer Prize winner for “The Kentucky Cycle”; two-time Emmy®nominee and Writers Guild Award winner for HBO’s “The Pacific”), who has adapted his Tony Award-winning play of the same name.
            Co-starring with Cranston are Anthony Mackie (Martin Luther King), Melissa Leo (Lady Bird Johnson), Bradley Whitford (Hubert Humphrey) and Frank Langella (Sen. Richard Russell).
            Additional cast members include Joe Morton (Roy Wilkins), Stephen Root (J. Edgar Hoover), Marque Richardson (Bob Moses), Aisha Hinds (Fanny Lou Hamer), Todd Weeks (Walter Jenkins), Mo McRae (Stokely Carmichael) and Spencer Garrett (Walter Reuther).
            The HBO Films presentation follows Johnson during his early administration, as he sacrifices his past, his ties with the South and all that brought him to power in order to pass the landmark Civil Rights Act, and focuses on his efforts to secure his legacy, control his demons of insecurity and win the presidency on his own terms.
            ALL THE WAY is produced for HBO by Amblin Television, Tale Told Productions, Moonshot Entertainment and Everyman Pictures, with Steven Spielberg, Robert Schenkkan, Bryan Cranston, Jay Roach, Darryl Frank and Justin Falvey (“The Americans”) executive producing, and James Degus (“Sneaky Pete”) co-executive producing.
            The 2014 Broadway production of “All the Way,” starring Cranston, swept the awards season, winning Drama Desk, Outer Critics Circle, Drama League and Tony awards, as well as the Steinberg/American Theater Critics Award, the inaugural Edward M. Kennedy Award and Boston’s Elliot Norton Award. The play also set Broadway box-office records twice for biggest weekly gross of a new play (non-musical).

ABOUT THE STORY
            Raised in Texas, writer Robert Schenkkan’s interest in LBJ goes much deeper than a playwright’s search for theatrical fodder. His father knew Johnson when he was a senator and sought his support in creating the first public television and radio station in the Southwest. There are stories of visiting LBJ’s ranch, where, on one occasion, the family station wagon was pushed out of a muddy ditch by the man himself. As a young boy, Schenkkan volunteered at Johnson campaign headquarters with his mother and watched his family celebrate Johnson’s 1964 win over Barry Goldwater.
            That year marked a critical moment in U.S. history. Segregation was being rocked by a strong counter-movement of social justice. Change was no longer just a possibility, but a necessity. A large cast of players, who would do battle and set the stage for this social shift, surrounded Johnson, including Dr. Martin Luther King, Bob Moses, Stokely Carmichael, Sen. Hubert Humphrey, Gov. George Wallace, Sen. Richard Russell, J. Edgar Hoover, Sen. Everett Dirksen and Ralph Abernathy, among others. Strong women such as Lady Bird Johnson and Fannie Lou Hamer made their voices heard and helped to change the course of events.
            “All the Way” was not just LBJ’s campaign slogan, but also captured the do-or-die mentality of all the players on the political battlefield. To what lengths would they go? What lines – political, legal and moral – were they prepared to cross? And at what cost? Each character in the film wrestles with these questions, and many are surprised by the personal discoveries they make.
            “I am pleased that, thanks to HBO, Robert Schenkkan’s Tony Award-winning play will now reach television,” says executive producer Steven Spielberg. “With Jay Roach directing and Bryan Cranston’s brilliant portrayal of LBJ, audiences will be able to share in this larger-than-life president’s role in a crucial turning point in American history.”
            Having directed “Recount” and “Game Change” for HBO, director Jay Roach was no stranger to politically themed films, and was attracted to ALL THE WAY for its revealing portrait of LBJ, showing the dichotomy of a man many consider to be one of the great leaders of all time. Yet on a personal level, Johnson was plagued by low self-esteem and haunted by fears of humiliation and loneliness. Roach saw ALL THE WAY as LBJ’s journey from his own private hell to the great arena of power and politics.
            “This story is as relevant in 2016 as it was when LBJ was thrust into office in 1963,” says Roach. “Racial inequality and discrimination once again dominate the headlines, and the country looks to political leaders with the power to make significant change. ALL THE WAY reminds us of a leader who stood for the rights of others despite the opposition and who surrounded himself with extraordinary people who shared his vision and worked to make it a reality.”
            ALL THE WAY was filmed in Los Angeles on sets designed by Mark Ricker, with costumes designed by Daniel Orlandi. Jim Denault is director of photography. Carol Littleton is editor. The striking physical transformations of the actors into their characters were designed and supervised by Bill Corso along with Frank Perez.

ABOUT THE CAST
            Bryan Cranston’s Broadway debut in “All the Way” brought him a Tony Award, as well as Drama Desk, Outer Critics Circle and Theater World Awards. He won four Emmy® Awards, a Golden Globe Award and three Screen Actors Guild Awards for his portrayal of Walter White in the mega-hit series “Breaking Bad,” and won an Emmy® and a Producers Guild of America Award as a producer on the series. On the big screen, Cranston shared a Screen Actors Guild Award as part of the cast of the Oscar®-winning 2012 film “Argo.”
            His latest film is Jay Roach’s “Trumbo,” in which he plays the title character Dalton Trumbo, the successful Hollywood screenwriter whose career came to an end when he was blacklisted in the 1940s McCarthy era for being a Communist. Cranston just received a Best Actor Golden Globe nomination and two Screen Actors Guild Award nominations for the film, in the categories Outstanding Performance by an Actor in a Lead Role and Outstanding Performance by a Cast in a Motion Picture. He is currently in production on the independent film “Wakefield” and will begin production on “Why Him.” Cranston’s other feature film credits include “Drive,” “Godzilla,” “Contagion,” “Little Miss Sunshine” and “Saving Private Ryan.”
            Cranston’s other TV credits include “Malcolm in the Middle” (for which he was nominated for a Golden Globe and three Emmys®), “Seinfeld” and HBO’s Emmy®-winning miniseries “From the Earth to the Moon.” He has earned three Directors Guild of America nominations, for “Modern Family” and “Breaking Bad.” His production company, Moonshot Entertainment, has multiple productions in development, including the series “Sneaky Pete” for Amazon and “Supermansion” for Crackle.
            Anthony Mackie is a two-time Independent Spirit Award nominee, receiving a Best Supporting Actor nomination for the Oscar®-winning film “The Hurt Locker” and a Best Actor nomination for “Brother to Brother.” Mackie also shared a SAG nomination for Outstanding Performance by a Cast for “The Hurt Locker.” Discovered after receiving rave reviews while playing Tupac Shakur in the off-Broadway production “Up Against the Wind,” he made his film debut in Curtis Hanson’s “8 Mile,” which was quickly followed by the Spike Lee films “Sucker Free City” and “She Hate Me.”
            Mackie’s most recent films include “Our Brand Is Crisis,” “Love the Coopers,” “Shelter,” “The Night Before” and “Triple 9,” in addition to “Ant Man,” “Avengers: Age of Ultron,” the “Captain America” series, “The Fifth Estate,” “Abraham Lincoln: Vampire Hunter,” “The Adjustment Bureau,” “Notorious,” “Gangster Squad,” “Million Dollar Baby” and “The Manchurian Candidate.” His theatrical credits include “Ma Rainey’s Black Bottom,” “The Seagull,” “McReele,” “A Soldier’s Play” and “Talk,” for which he received an Obie Award.
            Melissa Leo’s performance in “The Fighter” earned her an Academy Award®, a Golden Globe Award, a SAG Award and a Broadcast Film Critics Association Award, in addition to numerous regional film critics’ awards. Her starring role in “Frozen River” led to Oscar® and SAG Award nominations and a Best Female Lead win at the Independent Spirit Awards. Leo’s other film credits include “21 Grams,” “Oblivion,” “Welcome to the Rileys” and “The Cake Eaters.” On TV, Leo’s guest-starring performance on “Louie” won her an Emmy®; she also received an Emmy® nomination for HBO’s “Mildred Pierce.” Her other TV credits include “Wayward Pines,” HBO’s “Treme” and “BoJack Horseman.”
            Joe Morton won an Emmy® for Outstanding Guest Actor in a Drama Series for “Scandal.” His extensive TV credits also include “Grace and Frankie,” “The Good Wife,” “White Collar,” “Brothers & Sisters,” “Boston Legal,” “Numb3rs,” “Law & Order” and HBO’s “Miss Evers’ Boys.” Morton has appeared in such films as “American Gangster,” for which he shared a SAG nomination for Outstanding Performance by a Cast in a Motion Picture, “Badland,” “Jasper, Texas,” “Apt Pupil,” “Blues Brothers 2000,” “Lone Star,” “Executive Decision,” ”Speed,” “The Good Mother” and “The Brother from Another Planet.”
            Frank Langella is a three-time Tony Award winner, for “Seascape,” “Fortune’s Fool” and “Frost/Nixon,” and received Oscar®, Golden Globe and SAG Award nominations for the film adaptation of “Frost/Nixon.” His film credits also include “Draft Day,” “Wall Street: Money Never Sleeps,” “Superman Returns,” “Goodnight, and Good Luck,” “Dave” and “Diary of a Mad Housewife,” which earned him a Best Supporting Actor Award from the National Board of Review; in the same year, he received the National Board of Review Best Supporting Actor Award for “The Twelve Chairs.” Langella’s numerous TV credits include “The Americans,” “Grace of Monaco,” “I, Leonardo: A Journey of the Mind,” for which he received an Emmy® nomination, and HBO Films’ “Muhammad Ali’s Greatest Fight.”

ABOUT THE FILMMAKERS
            ALL THE WAY marks Jay Roach’s fourth directorial outing with HBO. He previously helmed and executive produced the Emmy Award®-winning HBO Films presentations “Game Change” and “Recount,” both of which earned him Emmys® for Outstanding Directing and Outstanding Movie; “Game Change” also brought him a Golden Globe and a Peabody Award. Roach also directed the pilot for the HBO comedy series “The Brink,” which debuted last year, and served as an executive producer on the show.
            Roach’s feature-film directing credits include “Trumbo,” his most recent collaboration with Bryan Cranston, as well as “Meet the Parents,” the “Austin Powers” trilogy and “The Campaign.” His producing credits include, among others, “Little Fockers,” the Academy Award®-nominated “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan,” “The Hitchhiker’s Guide to the Galaxy,” “Meet the Fockers,” “Meet the Parents” and the recent comedy “Sisters,” starring Tina Fey and Amy Poehler.
            Writer Robert Schenkkan is a Pulitzer-, Tony- and WGA Award-winning writer, two-time Emmy® nominee and prolific playwright, with work that spans stage, screen and television. His screenplays include Mel Gibson’s “Hacksaw Ridge” and Philip Noyce’s “The Quiet American,” while his work on the HBO miniseries “The Pacific” garnered him a WGA Award and two Emmy® and Humanitas Award nominations. Schenkkan’s other TV credits include “The Andromeda Strain,” “Crazy Horse” and “Spartacus.”
            In addition to “All the Way,” Schenkkan’s 14 plays include “The Great Society” (the sequel to “All The Way”), “By the Waters of Babylon,” “Handler,” “A Single Shard,” “The Devil and Daniel Webster,” “Lewis and Clark Reach the Euphrates,” “Final Passages,” “The Marriage of Miss Hollywood and King Neptune,” “Heaven on Earth,” “Tachinoki,” “The Dream Thief,” “Shadowplay” and “The Kentucky Cycle” (which received Pulitzer Prize, Tony Award and Drama Desk nominations), as well as a collection of one-act plays, “Conversations with the Spanish Lady,” and the musical (book and co-lyrics) “The Twelve.”
            Amblin Television is an independent television production company led by Steven Spielberg and co-presidents Darryl Frank and Justin Falvey. In addition to ALL THE WAY, the company is currently in production on season four of the FX series “The Americans,” starring Keri Russell and Matthew Rhys as KGB spies living in the US. The series has garnered two AFI Awards, a Peabody Award and a Critics’ Choice Award. Its upcoming productions include “American Gothic,” a mystery-thriller summer series for CBS, which revolves around a family that discovers their patriarch may be connected to a series of murders over the past few decades.
            Some of Amblin Television's (fka DreamWorks Television) past series include the hit summer series “Under the Dome” on CBS; the Noah Wyle series “Falling Skies,” which aired for five seasons on TNT; “Extant,” starring Halle Berry on CBS; the musical drama “Smash” on NBC; “United States of Tara,” starring Toni Collette, on Showtime; “The Borgias,” starring Jeremy Irons, on Showtime; “Las Vegas,” starring James Caan, which ran for five seasons on NBC; and the cult classic “Freaks and Geeks,” from Judd Apatow and Paul Feig, for NBC.
            Amblin has produced four longform/miniseries projects, receiving program Emmy® nominations for all four, and winning for three. Those productions include “Into the West,” an epic limited series from executive producer Steven Spielberg, which received the most Emmy® nominations in 2006, with 16 nominations; HBO’s “Band of Brothers,” an American war drama miniseries based on historian Stephen E. Ambrose’s nonfiction book of the same name, which was nominated for 20 Emmys® and won seven, including an Emmy® for Best Miniseries; HBO’s “The Pacific,” which was nominated for 24 Emmys® and won eight, including Best Miniseries; and “Taken,” the epic 20-hour miniseries for the SyFy Channel, which won an Emmy® in 2002 for Best Miniseries and was nominated for a Golden Globe in the same category.

Turn: Washington's Spies S2E2 - "Hard Boiled" Recap


Abe's back in the swing of things, keeping a small notepad hidden in order to document the British military conditioning he's observing in Manhattan. Abe checks into a motel and finds that his rather clumsy attempts at small talk only serve to attract unwanted attention. The people at this less-than-ideal establishment aren't looking to make friends.

Captain Simcoe's being bullied by some officers that are above him in position and making him fill out forms. But when word comes from Major André that he should come post haste, he turns a knife on the leader of the pack to inflict a bit of fear before heading on his way. André has a great deal of respect and admiration for Benjamin Franklin, whose old home he is now staying in. André reveals to his superior that General Charles Lee is a mole for him, a fact the housekeeper Abigail overhears. André is now planning on turning Benedict Arnold next. This plan is scoffed at by his superior, Clinton. André remains convinced that once Arnold's leg wound heals, he will harbour a grudge over not being recognised by Congress for his bravery and achievements on the battlefield. There's also an implication made that André and Clinton have been "involved" with each other, as they share a lingering brush of the fingers.

Simcoe arrives at André's place and learns that he wants Simcoe for that same savagery he displayed when he stabbed a patriot in the neck over dinner. Simcoe is just as unhinged as ever, and it's revealed that he had been writing love letters to Anna that were never sent along. Abigail manages to get a message sent along to Anna that General Lee is a traitor but fail to mention that Simcoe has leveraged something to his advantage in his deal with André, that he will be heading back to Setauket.


Abe observes that the British have reduced their strength in troops, the presence of Hessian mercenaries, and puts together the estimate that approximately 5,000 soldiers might be enough to retake the city. Abe is using the hard-boiled egg trick Ben taught him to hide the information but he is interrupted one night during the process of putting some together, by the innkeeper Townsend.

Hewlett has developed a bit of an infatuation for Anna and if it's half as exhausting watching Anna be incessantly lusted after by men then I don't envy her for receiving all this attention. Hewlett clumsily tries to suggest that Anna divorce her husband so as to not be tied down by his tarnished reputation. It's obvious he just wants a shot at her himself but he's nowhere near as over-the-top about it as Simcoe. He does however, deliver the gift Abigail sent along which has the information concealed in it.

André heads to party to welcome the British, taking place at the home of the Shippens, Philadelphia's richest family. The family's teenage daughter, Peggy, is a highly sought-after beauty. When Peggy tries to make eyes at André and he seemingly ignores her, she assumes the slight to be that he's gay. But after a few moments, he comes over after all to ask one of the other ladies at the table to dance. It's presumably a ploy to get Peggy further interested since she doesn't respond well to men who are so blunt in fawning all over her. So the two end up dancing with other partners all while making narrowed eyes at each other on the dance floor. But André being interested in her may very well just be because it's been said that Benedict Arnold had been involved with Peggy before the British entered the city. But it would appear that Peggy develops a bit of an interest with André so we'll see just what sort of whirlwind these two embark on.

Abe gets into a bit of trouble when he finds that Townsend has snatched up Abe's coded eggs and fried them into breakfast. Townsend proceed to banish Abe from the boarding house and Abe is left with his mission in shambles.

The Queen's Rangers, one of whom is the the former slave of the Strongs named Jordan, have a run-in with Simcoe in the woods and he's all done up in his new uniform. Simcoe introduces himself with an inflated sense of self-importance, declaring himself their new commander by André's orders. They don't much care to obey him and they don't. One of the Rangers challenges Simcoe and the two get into a fight, if you can even call it that. It last mere seconds before Simcoe snaps the man's arm and scalps a chunk off the top of his head. The wounded man tries to reach for his gun but Simcoe stops him before shooting him in the head. After that, the men are quite quick to fall in line behind Simcoe.

Turn: Washington's Spies airs on Mondays on AMC at 9PM.

Turn: Washington's Spies S2E1 - "Thoughts of a Free Man" Recap


There's a new villain on this season of Turn, which has been re-named to Turn: Washington's Spies for those of you who haven't been paying attention! This villainous figure is King George, who is sitting in this luxurious palace in England to be posed for the American sculptress Patience Wright. The Crown is in a bit of a financial problem as it hasn't been able to pay its bills so easily. Wright snatches up a page of his top-secret memo when it fell to the floor as the King threw a tantrum. She sent the page back to the States in one of the King's busts and is later killed along with her lover for betraying the Crown.

General Washington is having his own difficulties, as he has become the scapegoat of all the troubles in the colonies. Benjamin Tallmadge isn't happy about Washington's receiving this wrongful treatment and is further perturbed to learn that Congress is being lobbied to replace Washington. General Charles Lee is mentioned as potentially being bought by John André. Washington tells Ben off and orders him to get the Culper ring back on track or to find a replacement.

In Setauket, Abe and Mary are still recovering after the explosive events of the season one finale, in which Abe was forced to murder Ensign Baker to keep his spying secret. Mary had then decided they needed to burn their farm down and blame those crimes on marauding rebels. It's an uneasy alliance for this pair, as they have their son to think about, but they disagree on their deepest political fundamentals. Mary is still loyal to the Brits while Abe was/is a spy for the rebels. The pair are now living with Abe's father, the judge, and thus sharing a living space with Major Hewlett. Mary continues spinning her tale to her group of lady friends and seems to be doing a decent job, but some of them still seem to suspect that she's lying though for now they're not saying much to oppose her.

Hewlett pays a visit to Anna and invites her over for dinner with everyone. This makes things even more awkward, as Mary feels that perhaps the deepest of all Abe's betrayals is loving Anna. She arrives at the party to celebrate the occupation of Philadelphia. It doesn't take long for Abe to pull Anna into a closet. He has a message he wants sent to Ben that will share the news of what happened with Ensign Baker as well as outline a new code system to use. Anna spies them coming out of the closet albeit at separate times. Determined to stop Abe from proceeding any further, she makes a scene at dinner when Abe announces his plans to resume his study of the law in New York. Hewlett is "helpful" enough to offer up a British escort to stay by his side all the while he is in the city to prevent him from being harmed by patriots.

While General Washington entertains the French military attaché, Theveneau De Francy, Ben gets into a scuffle with some officers who insult Washington's ability to lead as well as his manhood. It's a textbook example of the fragility of the male ego.

Following the falling out during the dinner party, Abe and Mary get into an argument. She tries to use Baker's death as an example of God testing them and how they should try again. He points out that Baker should have never been in their house to begin with, just as Hewlett shouldn't be in his father's house now. Abe has grown fed up with the Crown's laws, taxes, or so-called protection. He sees now that he cannot stay out of the fight while simultaneously being true to himself. Mary professes her love for Abe but he doesn't feel the same, a fact she already knows. But she appears resigned to let him do as he pleases, since there's no way she can do anything else. The next day, Abe meets his new escort. He also meets with Hewlett and asks for permission to pretend to be a spy so he can get the names of Patriot spies. In order to do so, he won't be able to have an escort following him around. He convinces Hewlett of his commitment to this cause and it looks like Abe won't have that pesky bodyguard to deal with anymore!

Later, during a dinner, Washington asks General Lee to read out the latest indictments against him. It's all very uncomfortable and Ben looks like he's struggling to keep from starting another fight. But who should enter but one Benedict Arnold! Of course this is before he's known to be a traitor, so he presents a lively defence of Washington and says he has no patience for politicians and their military pets. Washington and Ben now greatly admire him, the hero of Saratoga, but who knows if they'll be singing this same tune by the time the season is through.

There's one final matter at hand. The disgraced former Ranger to the Queen, Robert Rogers, gets an audience with the King. He wants to explore the Northwest Passage, but is tasked with something else entirely. He is to retrieve the documents Patience Wright stole before they can fall into the hands of the French. In exchange, Rogers' debts will be wiped away and he can explore as he pleases.

Turn: Washington's Spies airs on Mondays on AMC at 9PM.

The Big Bang Theory S8E10 - "The Champagne Reflection" Recap


Raj, Howard, and Leonard are cleaning out the office of Professor Roger Abbot, as he has passed away recently. They are throwing away much of his life's work as much of it is outdated or disproven. They discover a bottle of champagne Abbot had bought with the intent that it would be opened after making a great scientific discovery. Leonard finds some journals that contained years and years of numerical data and believes it must mean something so they decide to ask Abbot's co-worker Professor Sharpe. Sharpe says that the journals were food diaries of his caloric intake, as he believed that counting calories would be the trick to living forever. The boys become discouraged and later contemplate the fact that not everyone can achieve scientific greatness and decide to drink Abbot's bottle of champagne when one of them discovers something to honour his memory.

Amy helps Sheldon with his final episode of "Fun with Flags." Together, they recap some highlights from the show that include Amy dressing up as a kangaroo, playing "Fwag, Not A Fwag" with Barry Kripke, Sheldon dressing up as Betsy Ross, and Sheldon and Amy dressing in old-time bathing suits on a green-screen displayed beach. Sheldon also has LeVar Burton on his show as a guest. Burton has only agreed to do so under the condition that Sheldon will delete his contact information and is further perturbed when Sheldon asks him if his donning blackface (as George Washington Carver) was offensive. As Sheldon prepares to sign off forever, he wipes his tears with a white flag. Sheldon and Leonard discuss the series ending and the mood is sad until someone leaves a mildly complimentary comment regarding the series ending and Sheldon is so elated that he decides to revive "Fun With Flags" and opens Abbot's champagne in order to hear the pop. Sheldon later goes to LeVar Burton's house to invite him to come back on the newly revived show.

Penny and Bernadette are attending a banquet for their pharmaceutical company. Penny tries to reassure their boss Dan, who is afraid of Bernadette. Penny explains to Bernadette that some of her behaviour is coming across as mean to others and much like a bully. Bernadette begins to feel bad, wanting to leave, and Penny advises her to stay and show people who she is. She apologises to Dan and begins to cry when she learns of the numerous ways that her co-workers have been manoeuvring around her. But then she begins to use her tears to elicit pity to continue to get her way.

The Big Bang Theory airs on Thursdays on CBS at 8PM.
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