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Fox Searchlight's A BIGGER SPLASH - Watch the official trailer!

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Description: A Bigger Splash

Opening in New York & Los Angeles on May 4, 2016
In select theaters nationwide on May 13, 2016

WATCH THE TRAILER


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Directed by: Luca Guadagnino
Screenplay by: David Kajganich
Produced by: Michael Costigan, Luca Guadagnino
Cast: Ralph Fiennes, Dakota Johnson, Matthias Schoenaerts, Tilda Swinton

In A BIGGER SPLASH, rock legend Marianne Lane (Tilda Swinton) is recuperating on the volcanic island of Pantelleria with her partner Paul (Matthias Schoenaerts) when iconoclast record producer and old flame Harry (Ralph Fiennes) unexpectedly arrives with his daughter Penelope (Dakota Johnson) and interrupts their holiday, bringing with him an A-bomb blast of nostalgia from which there can be no rescue.   A BIGGER SPLASH is a sensuous portrait of desire, jealousy and rock and roll, under the Mediterranean sun.

A BIGGER SPLASH opens in New York & Los Angeles on Wednesday, May 4th 2016
In select theaters nationwide on Friday, May 13th 2016
Running Time: 124 min / Rated: R

Film Site:


#ABiggerSplash

Fox Searchlight's A BIGGER SPLASH Opens May 13, 2016

Fox Searchlight Pictures Proudly Presents
Luca Guadagnino’s

A BIGGER SPLASH

Opening in select theaters in the U.S. on May 13, 2016

Directed by:                         Luca Guadagnino
Screenplay by:                    David Kajganich
Produced by:                       Michael Costigan, Luca Guadagnino
Cast:                                       Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, Dakota Johnson

In A BIGGER SPLASH, directed by Luca Guadagnino, rock legend Marianne Lane (Tilda Swinton) is recuperating on the volcanic island of Pantelleria with her partner Paul (Matthias Schoenaerts) when iconoclast record producer and old flame Harry (Ralph Fiennes) unexpectedly arrives with his daughter Penelope (Dakota Johnson) and interrupts their holiday, bringing with him an A-bomb blast of nostalgia from which there can be no rescue.  A BIGGER SPLASH is a sensuous portrait of desire, jealousy and rock and roll, under the Mediterranean sun.

FIFTY SHADES DARKER Tease Announced Exclusively on FIFTY SHADES OF GREY Digital HD & Blu-ray‏

FTY SHADES DARKER Tease Announced Exclusively on FIFTY SHADES OF GREYDigital HD & Blu-ray
The most talked about movie of the year FIFTY SHADES OF GREY, starring Dakota Johnson and Jamie Dornan, arrives on Digital HD Friday, May 1st and on Blu-ray™ Friday, May 8th from Universal Pictures Home Entertainment.   The release features more than two hours of bonus content including an exclusive tease of FIFTY SHADES DARKER, an Unrated Edition of the film and an Alternate Ending. 


Fifty Shades of Grey Movie Review

Fifty Shades of Grey since it's release as a book has been a cultural phenomenon selling millions of copies, and igniting countless fantasies. It started out as Twilight fan fiction, and although it really is not well written, it has swept the world and brought many under its spell. The movie hits theaters this weekend, and by many critics its getting killed in reviews, but its exactly what it set out to be. Lovers of the book will enjoy the adaptation, but the uninitiated will be left scratching their heads.

When college senior Anastasia Steele (Dakota Johnson) steps in for her sick roommate to interview prominent businessman Christian Grey (Jamie Dornan) for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair -- and learns that Christian's true sexual proclivities push the boundaries of pain and pleasure.

The first meeting between Ana and Christian conveys her awkwardness best and with perfection. She's never been the hot blonde, like the women that work for Christian, or the center of attention, and her clumsiness does her no favors. Ana trips and falls on her face upon stepping into Christian's office, and she is as graceless as can be, yet Christian finds himself intrigued. She's ordinary, guileless and somewhat dull, yet this enigmatic aristocrat with peculiar tastes and dark secrets finds that he cannot stay away. I have to admit that I was most uneasy about Dakota Johnson's casting, but she works, and most of it is in her giggle. When she giggles I believe it. She makes Ana wry but playful, cocky and funny and manages to somehow make it sexy. Sure there's plenty of lip biting and vacant stares, but you've seen Twilight, and well this is a huge part of the character. Thankfully all the “inner goddess” monologue from the book has been completely removed, allowing Ana to have a quirky and fun personality.

Christian is on the opposite spectrum. There's a cool aloofness to Christian that Jamie Dornan displays perfectly. He wasn't my first choice for Christian Grey (Henry Cavill takes that honor) or even my second or third, but his casting was one I fully supported. Since his turn as the Huntsman on Once Upon A Time, Dornan has been a wanted man. Christian has huge walls built around his heart and soul, and yet he has moments of tenderness. Christian disdains love and romance, but creates both without trying. He claims to just want to lure Anastasia to his "red room of pain," as she labels it, a chamber outfitted with whips, chains, handcuffs and other toys. He's got deep seeded issues from a rough start in life, and just can't bring himself to open up to her when she's awake, or even let her touch him in or out of the bedroom.

It's in those scenes when she's trying to get close to him and touch him that are the hardest to watch. Not only do they feel out of place with everything else in the movie, Ana comes off as whiny and Christian as wooden. They don't match the tone of anything else, and seem to be thrown in at will. The chemistry between Johnson and Dornan isn't just strained and nonexistant in these moments, but in the more mundane ones too, but when it counts its there.

While Johnson is going to get much of the praise for the film, its in the bedroom where Dornan's intensity is at its dominating peak, that really makes it all work. There's plenty of steamy moments between the pair but little pay off, sorry not a single O face. The sex scenes are greatly paired down from the book. The much featured elevator scene doesn't go further than it does in the trailer, or the book for that matter. Although Christian says he “doesn't make love, he fucks hard.” that's about the extent of his dirty talk. There's body sweeping views, plenty of thrusting, but a complete lack of Ben wa balls, vibrators and canes.

During the screening one person commented that no self respecting woman would ever let anyone do the things that Christian did. Here's the thing. Ana is torn between a world she doesn't understand and falling for a man she really doesn't know. Being of sound mind and intact virginity, Ana doesn't take Christian's proposition lightly, and google isn't her friend. She doesn't feel comfortable, and isn't able due to a non-disclosure contract, to talk to anyone about what she's about to embark on so she's all on her own with Christian. Her struggle to overcome her aversion to what she perceives as being abused, degraded and isolated just to please her man is the real challenge. Her lack of understanding, and mental preparedness leaves her acting irrational and immature at times. While she is very book smart, she's naive when it comes to love and life. Being young and in love, there's a whole lot that she can be talked into, that anyone could be talked into and Christian Grey is use to negotiating to get what he wants. Say what you will about the domineering Christian, but at least he knows himself. Ana is a blank slate, and wanting to be enlightened but really not prepared for what she's asking for.

Some will see it as glamorizing sexual violence, and implying that women seek to be controlled. Instead I feel that its a twist on traditional gender roles and blurs the lines of transgressive desires. Christian’s sexual tastes are intriguing to Anastasia, but they are the result of deep emotional wounds. He has to control her, and she can't help but to fall for him as she sees glimpses of the tenderness he's capable of and his wounded soul. She tolerates his kind of sex, and even enjoys some of it, but she wants more, and she wants him to want it too. She wonders why he wants to change her, never realizing how much she's changing him, and that is the hook, that kind of love that can heal the past, that can change you for the better.

Fifty Shades of Grey was never meant to be an introduction to BDSM, though there is a dominance/submission relationship. If you're looking for the BDSM 101 movie look further. Nor is it the sexfest that many are expecting. The books themselves may have been labeled "mommy porn" and yes there is a lot of sex, but its really not about the sex, there's a deeper story beyond the sex, and that story is just at its beginning. Fifty Shades of Grey shouldn't be looked at like a trilogy, it really isn't that. Most films in a trilogy are their own films that tell a complete story, but are also linked to a much larger story. Fifty Shades of Grey doesn't tell a full story, it's part one of a miniseries really. The series really is his way, her way, the compromise.

The supporting cast isn't given much, with all the focus on Ana and Christian. For the most part they're well cast, but I would have gone with different choices for Christian's brother Elliot and Ana's roommate Kate. Elliot and Kate will remain of the canvas through both sequels should they remain close to the books. Elliot is too sleazy looking, and didn't work for me at all. Better than the nonexistent parts for anyone outside of Ana and Christian was the music. The song choices were perfect for the film. The haunting tones of familiar songs, showcased the deep obsession and worked well with the blues and reds director Sam Taylor-Johnson utilized to match Ana's emotions. 

Fifty Shades of Grey may not be a great movie, really it isn't. But it is exactly what it set out to be. It's fun, it's trashy, its the movie that you'll get teased about and tease your friends about seeing and it does plenty to make you squirm and giggle. Lovers of the book will cherish the adaptation, even though it is very paired down. Newcomers will be left in confusion or wanting more. And well haters are gonna hate, hate, hate. But with two sequels in the works and high presale numbers, Fifty Shades of Grey will have no trouble just shaking it off. Fifty Shades Darker, and Fifty Shades Freed were recently announced, no release dates for either yet.

Fifty Shades of Grey hits theaters February 13, 2015.

Need For Speed Review

While Aaron Paul’s throaty growl certainly gets my engine revving, the rest of Need For Speed is stuck in the slow lane. It certainly lived up to its name and was in a dire need for an injection of some speed.

Need For Speed is based on the video game of the same title. The game itself is a long-running game franchise from EA, filled with witty lines, fast cars and cops. There’s really no storyline in the game, just fast cars running from cops, the flick’s plot was pretty wide open for screenwriter George Gatins to work some magic on and deliver some creative genius.

Rather than going for a bit of flare, it’s much of the same. Here we have the classic racer with the heart of gold who just never got his chance, Toby (Aaron Paul), goes up against the douchbag, Dino (Dominic Cooper) who always got everything handed to him and even won the girl, finally get a level playing field to strut their stuff and really show who the superior racer is. Oh and there’s a revenge subplot thrown in as well, because, well why not? To say it’s predictable would be an understatement, but boy is it fun.

Dino gives Toby a chance to earn some much needed dough, finish the last 900-horsepower Shelby Mustang, and help him sell it. Toby impresses the car’s buyer in a way that Dino could not on the track, and digs that knife in a little deeper. Further sowing the seeds of animosity between the two when a friendly race turns tragic and Toby takes the full blame. Toby is left to pick up the pieces of his life and plots to use the Shelby to win the Monarch’s (Michael Keaton) big illegal street race. The car comes with a price, Julia (Imogen Poots), who comes along for the ride to ensure the cars safety.
The Shelby is the focus car for much of the film, and while it is really a beauty, it really isn’t the most impressive car of the movie. There are appearances by unicorns like the Saleen S7, Lamborghini’s Sesto Elemento, McLaren P1, the GTA Spano, Bugatti Veyron Super Sport, and Koenigsegg Agera which all make an appearance during the Monarch’s race.

With essentially no CGI and many of the actors doing their own stunts, it does have a heavy dose of diy reality on its side. Aaron Paul took a stunt driving course, and Scott Mescudi learned to fly for his role, in which he spent most of the film in an aircraft of some sort. And although impressive, this is certainly no Fast and Furious film where there are crazy action sequences. Sure there are plenty of crashes, but the adrenaline rush I was craving was killed by the incessant engine revving, which starts off sexy and quickly becomes tiresome, and constant gear shifting. Not to mention the fact that at times it feels like the cars don’t really get anywhere all too fast. Seriously how many gears do these cars have?

Though there’s no lack of chemistry between Paul and Poots, I wasn’t emotionally invested in the well-being of Toby’s crew the way I’ve become invested in Dom, Brian and the Fast gang. And even their little story takes a little too long to progress, as they get to know each other. Not to mention the addition of Dakota Johnson as the girl who got away that had no chemistry with anyone on screen. She was only there for a few scene and each was absolutely cringe worthy.

Keaton on the other hand was perfect as the eccentric Monarch. But, would it have been too much to ask for Michael Keaton to once utter a classic game line? I waited all movie for one “You suck harder than a Hoover with a full bag.”

I felt more apt to fast forward and skip to the good parts with Need for Speed than to watch what led up to cars going vroom. Rather than going over the top with the racecar concept Need for Speed goes under, drawing it out with a road trip, and never quite reaches top speed.


Need for Speed opens on March 14th.

Fifty Shades of Grey gets Character Photos

Are your ears buzzing? Because Entertainment Weekly has tapped your mind, and they hear your fear of the casting of Fifty Shade of Grey. Maybe I'm alone in my thoughts that the casting isn't up to par, maybe just one half of it, but there's new character pictures!

So Charlie Hunnam vacated the role, and Once Upon A Time's hunky huntsman quickly filled the spot. And who knows what kind of chemistry Hunnam and Johnson really had, but needless to say Dornan is hot. And that hotness can sure go a long way. Johnson still isn't my picture of Anastacia Steele, but she'll do.

This casting may just work yet, and I'd like to say that the script is what will make or break the movie, but let's be honest its gonna be what happens in the sheets. Magic Mike wasn't a hot topic or must see summer movie for the script, or even the acting, but rather the red hot dance moves. And Fifty Shades of Grey is certainly looking to capitalize on their good looking cast, having added True Blood's Luke Grimes, and Victor Rasuk to the mix.

Wanna see the pictures I'm talking about? No you don't have to wait for your issue of Entertainment Weekly, you'll have to head on over to their site, since they've asked us to pull down the images. So take a peak at them and come back!

So what do you guys think? Do the pictures ease any fears? Will you be heading to theaters?

Fifty Shades of Grey is set to begin filming on Dec. 2. The release date has also been pushed back from August 2014 to Valentine’s Day weekend the following year.

source: Entertainment Weekly
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