The Bard is Back!

  San Diego, CA (March 10, 2014) – In May, Kill Shakespeare will make the leap from comic series to board game to the delight of fans of both mediums. This June, fans will have even more to rejoice about as the award-winning comic series returns with Kill Shakespeare: The Mask of Night.

“We’re excited to announce The Mask of Night, our pirate adventure,” says series co-creator, Anthony Del Col, “Not only does it include characters from our previous books but incorporates one of Shakespeare’s most famous heroines, Viola, who we have refashioned into one of the coolest female pirates ever. I think fans – both new and old – are going to find this homage to classic pirate tales a real treat.”

In The Mask of Night, we will see Hamlet, Juliet, Othello, and Shakespeare become pawns in a deadly game of survival between legendary masked pirate Captain Cesario, his first mate Viola, and the new terror on the water, Titus Andronicus’ forbidding war ship, the Lavinia.

Fans familiar with the Kill Shakespeare board game will recognize that this cast of characters is tied directly into the playable character list for the tabletop adventure. To further the excitement for both the game and this new series, IDW Games is announcing that everyone who backs the Kill Shakespeare Kickstarter at the game level or higher will receive all four issues of The Mask Of Night free from comiXology as they are released. (https://www.kickstarter.com/projects/idwgames/kill-shakespeare)

Andy Belanger, the series artists says, “Shari Chankhamma (colorist) and I have sharpened our pencils, made black our brushes and are ready to paint the high seas red in this next chapter of Kill Shakespeare! Get ready for BLOOD!”

The series’ return will be chock-full of pirate battles, vengeance, and lost love (pretty much everything you could ever want!) so don’t miss out on the high seas tales featuring your favorite Shakespearean characters!
 

About IDW Publishing

IDW is an award-winning publisher of comic books, graphic novels and trade paperbacks, based in San Diego, California. Renowned for its diverse catalog of licensed and independent titles, IDW publishes some of the most successful and popular titles in the industry, including: Hasbro’s The TRANSFORMERS, G.I. JOE and MY LITTLE PONY; Paramount’s Star Trek; Nickelodeon’s Teenage Mutant Ninja Turtles; 2000AD’s Judge Dredd; The Rocketeer; Toho’s Godzilla; Wizards of the Coast’s Magic: The Gathering and Dungeons & Dragons; and the Eisner-Award winning Locke & Key series, created by best-selling author Joe Hill and artist Gabriel Rodriguez. IDW is also home to the Library of American Comics imprint, which publishes classic comic reprints, Yoe! Books, a partnership with Yoe! Studio, and the multiple award-winning Artist's Edition imprint.

IDW’s critically- and fan-acclaimed series are continually moving into new mediums. Currently, Jerry Bruckheimer Films and Disney are creating a feature film based on World War Robot; Dwayne "The Rock" Johnson and Warner Brothers are producing a film based on Ashley Wood's Lore; Michael Bay‘s Platinum Dunes and Sony are bringing Zombies vs. Robots to film, Kurtzman/Orci are producing a movie based on Locke & Key at Universal. 

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Prince Hal (Tom Hiddleston) transitions from mischievous prince to noble King.

Previously, on The Hollow Crown...

At the end of Henry IV (Part 1), we saw that Prince Hal had made the decision to cast aside the misbehaviour he had developed a reputation for, and prove himself worthy of the throne to not only his father but the entire kingdom. In Henry IV (Part 2), he struggles with the growing pains of making these changes and finds himself between two worlds incompatible with one another.

Move on up

In an early scene, we find Prince Hal (glistening) in a steam room after the battle in which he killed Hotspur. He expresses concerns about having contact with such lowly common folk, including Poins, to whom he is speaking. Poins does not seem particularly phased by the insults, perhaps as a result of conditioning to abide by a social hierarchy in which Hal is vastly high above him. This disregard for the common folk he once treated as friends may be seen as a symptom of his transition into the elitism of nobility.

Following this, Prince Hal and Poins proceed to visit the Boar's Head Tavern in order to play yet another prank on Falstaff. They decide to spy on him, and eavesdrop on his private conversations. The prank seems to echo the events in Henry IV (Part 1), but the outcome is drastically different. What they overhear is Falstaff speaking ill of Hal. Instead of ending in cheerful banter, and shared drinks, the confrontation further strains the relationship between Hal and Falstaff. This stark contrast from the previous instalment demonstrates the progression and evolution of Hal. Hiddleston is presented with an opportunity to emote in a far more serious manner, which he delivers magnificently.

Burning out

At the start of Henry IV (Part 2), we see Falstaff reaping the benefits of his false claims of killing Hotspur. Not only are his clothes lavish, but he has gained a page boy to run errands on his behalf. His character has not improved, though his ego has perhaps been further inflated. When Mistress Quickly attempts to get Falstaff to repay the debts that he owes her, not only does he maneuver his way out of being arrested, he is able to coax her into lending him even more money.

This is the final instalment in which we see Beale's brilliant portrayal of Falstaff and the character is even more dynamic than in Part 1. From the usual robust lines and quick puns, to his surprisingly tender interactions with a prostitute named Doll Tearsheet, to the demise of his status, place in the kingdom, and relationship with Hal, Beale delivers a diverse and dynamic performance well-deserving of being immortalised on film.

Before one King rises, another must fall

Another performance that comes to a close is that of Jeremy Iron's Henry IV. The King's dialogue largely refers back to events from Richard II. Northumberland was once a friend of Richard's, before aiding in Henry IV's seizing of the throne. But just as Richard had prophesied, the tables have turned. Northumberland has turned against Henry IV, and now all of the guilt and weight of past transgressions are catalysing the decline in the King's health. Iron's performance is raw and powerful, showing a fear of death and a desire to leave a lasting legacy.

Arguably, the most emotionally potent scene occurs after Prince Hal pays a visit to his father and falsely believes him to be dead. After expressing some touching sentiments, he takes the crown, and sits on the throne with the crown atop his head. His father's apparent death sinks in, and he breaks down into tears. In that moment, we see that the power a crown brings cannot compare to a child's loss of a beloved parent. Hiddleston brings forth a gravitas that is further built upon in the final instalment, Henry V.

The complete series of "The Hollow Crown" is already available for DVD purchase.

Previous post on Richard II:
http://www.museled.com/2013/09/the-hollow-crowns-richard-ii-triumph-in.html

Previous post on Henry IV (Part 1):
http://www.museled.com/2013/10/the-hollow-crowns-henry-iv-part-1.html

Richard II is available for viewing within U.S. territories on the PBS website till October 18:
http://video.pbs.org/video/2365083796/

Henry IV (Part 1) is available for viewing within U.S. territories on the PBS website till October 26:
http://video.pbs.org/video/2365088720/

Henry IV (Part 2) is available for viewing within U.S. territories on the PBS website till November 5:
http://video.pbs.org/video/2365090800/

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The gluttonous Falstaff (left) and an intoxicated Prince Hal (right)

In the second instalment of "The Hollow Crown," Henry IV (Part 1), the audience is re-introduced to King Henry IV, who was previously seen in Richard II as claiming the throne for himself and passive-aggressively allowing the overthrown Richard to be murdered. This time around, the role is portrayed by Jeremy Irons, whose portrayal conveys the heaviness of the guilt and self-doubt of the misdeeds of his past. He finds himself further stressed by the Percys, who claim to be owed a debt for the assistance they provided in the overthrowing of Richard II, and the misbehaviour of his first-born and heir to the throne, Prince Hal.

A Prince's Moral Ambiguity

The Prince Hal we see in this play is no Prince Charming. Though he has charm, wit, and a sharp mind, the morality of his actions is often questionable. His actions that are done in jest are often at the expense of others, such as the teasing of the slow bartender, Francis, and the practical joke on Falstaff. We also learn early on that he claims to be associating with low-lifes and misbehaving so as to impress the kingdom by dramatically reforming his ways, and being highly revered when he becomes King. Is this deceit too morally repugnant for a future King? Is his misbehaviour the result of a lowered morality due to the company he keeps or is he acting selfishly for his own amusement?

Tom Hiddleston's portrayal has many gleaming moments. Fan-favourites may include the Danny-Zuko-like removing and re-dressing of a Thrilleresque red leather jacket, a very real slap from a large-ring-wearing Jeremy Irons, or perhaps the repeated need to duck when passing in and out of a tavern doorway. More seriously, the transformation from playing a mischievous under-achiever engaging in drunken shenanigans to a regal prince that gains honour on the battlefield and in the eyes of his father is achieved spectacularly. A particularly tremendous moment is the shift in Hiddleston's countenance when a joking game of roleplay leads to a heartfelt plea from Falstaff to not ever be banished from Hal's company; the emotion is virtually tangible.

Gluttony at its finest

The character of Falstaff is likely to also leave a lasting impression. He is a boisterous fellow that believes that the common definition of honour is absurd, for what good is honour when one is dead? He is a hedonistic man, seeking only to gain money through theft, and spend it on food, drink, and sex. His lies are wild and self-serving. Even when caught in a lie, his quick wit and ability for twisting words are immediately used to manipulate the situation to his advantage. Simon Russell Beale's performance is not only strong in delivery, but in physicality. Beale brings one of Shakespeare's most famous comedic characters to life in spectacular form.

Facetious Queries

• - What does a person need to do to get their hands on their own red leather jacket of such fine quality?
• - Was Tom Hiddleston asked to tone down the accuracy of his Jeremy Irons impersonation due to his skilled impersonation-abilities?
• - Is there a massive warehouse with a ton of crowns lying in wait to be used or perhaps some sort of crown-making factory hidden somewhere in London used by the BBC for all its period pieces?
• - Was that tavern girl telepathic? How did she know to climb atop Prince Hal as a means of misdirection?
• - The lengthy post-robbery scene in the tavern showed a highly damp Prince Hal; did someone have to run around spritzing Tom Hiddleston to maintain an optimum level of dampness?

I dare say at least one query has been answered.

Richard II is available within U.S. territories till October 18 on the PBS website:

http://video.pbs.org/video/2365083796/

Henry IV (Part 1) is available within U.S. territories till October 25 on the PBS website:

http://video.pbs.org/video/2365088720/

Henry IV (Part 2) airs on October 11, and Henry V on October 18. Check your local listings.

Previous post on Richard II: The Hollow Crown's "Richard II" - A triumph in America!

The complete series of "The Hollow Crown" is already available for purchase on DVD.

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The complete series of "The Hollow Crown" is already available for purchase on DVD.

Coming to America

On September 20, the first instalment of the BBC hit, "The Hollow Crown," aired on PBS as a part of its long-running "Great Performances" series. This debut was long awaited by Shakespeare fans in America, as well as those who have pledged their allegiance to the army of Tom Hiddleston. Promotion for The Hollow Crown's move to America included a viral video of the man himself instructing Cookie Monster on the merits of delayed gratification:

#TomNomNom hit a million views in a matter of days.

History by Shakespeare 

The first of this Shakespearean tetralogy, Richard II, is a tale that demonstrates parallels to Greek mythologies of doomed protagonists undone by their own hubris. For those unfamiliar with English history, Richard II is a historical figure who reigned as the King of England from 1377 to 1399.

Great Performances, Indeed

Ben Whishaw's BAFTA-winning portrayal of King Richard II is both mesmerising and enigmatic. Several characters demonstrate a propensity for speaking in rhymed couplets to convey heightened emotional intensity, though none indulge in such fanciful speech patterns more so than Richard. As Richard finds himself losing allies, his title, and arguably, his mind, Whishaw's performance only becomes more gripping. His mannerisms, hand movements, and overall delicacy all aid his bringing to life a character that has led a life of privilege and been consumed by it.

Yet another performance worth mentioning is that of Sir Patrick Stewart's. Though John of Gaunt is not present past the second act, he still manages to deliver one of the most famous speeches of the entire play. Stewart commands the screen with eloquence and ease.

Final thoughts

Overall, Richard II is aesthetically pleasing and paints a portrait of a King undone by his lack of compassion for his people, selfish concern for his own well-being and luxury, and lack of understanding of the politics of his royal position.

Viewing aides 

• - During this time period, a King was believed to be divinely selected by God. To go against a King or make efforts to overthrow him was seen as a form of blasphemy. Such religiously rooted fears greatly influence the decision-making processes of the characters.
• - If one character curses another, or speaks of their inevitable downfall (or hardships to come), it should be taken seriously. Shakespeare is highly fond of such curses being used as tools of foreshadowing. (Think back to Romeo and Juliet, as Mercutio's dying words, "A plague o' both your houses," foreshadow the play's ending).
• - Foreshadowing in general runs abundant not only throughout the confines of Richard II, but spanning from this play into the instalments that follow: Henry IV (Part 1), Henry IV (Part 2), and Henry V. 

Henry IV (Part 1) has aired as of September 27, Henry IV (Part 2) is set to air October 3, and Henry V on October 10, on PBS. Check your local listings.

Post on Henry IV (Part 1):
http://www.museled.com/2013/10/the-hollow-crowns-henry-iv-part-1.html

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